Traces

If you live in Charlotte, you quite simply MUST go see “Traces” at the McGlohon Theatre.

Several of us went to go see the show on Friday night as part of Danny’s “Out on the Town” group with the Blumenthal Performing Arts Center. The reception itself was fun, but the turn-out wasn’t great — mostly the group of friends that I got to come. Still, food and drinks were good, the company was magnificent, and it was all free! But it was nothing compared to the performance itself.

“Traces” was absolutely magnificent.

To give you an idea of what the show is like, consider that its marketing compares it to both “Cirque du Soleil” and “STOMP.” That’s accurate — it reminded me of both shows. There are acrobatic maneuvers that leave you breathless, and creative ways of making sound with movement and everyday items. But that really doesn’t BEGIN to describe how beautiful the performance is. Despite it’s thematic similarities to those well-known shows, it was incredibly unique.

I’ve never seen people DANCE with basketballs before, or fight with chairs. I’ve never seen someone practically make love to a book on a recliner. I’ve never seen someone climb up a series of poles — and writhe and tumble down them — in a way that was both less sexual and more sensual than any “pole dance” you’ve ever witnessed in a strip club. I’ve never seen a waltz with — and simultaneously inside — a giant wheel. Dancers on skateboards were entirely new to me, as were adults performing gymnastics with a giant teeterboard (like a see-saw from a playground…) And the way they kept trading places with each other, sharing each others’ techniques, while sliding in and out of playing the piano… 

It was breathtaking. I found myself grinning like a fool, clasping my hands to my chest and my face, laughing and clapping like a kid at a puppet show. I was awestruck by the beauty of it all. And that’s not even counting the excitement and the thrill of the final act, a series of leaps and tumbles through an ever-growing collection of Chinese hoops.

There was a story involved, I’m sure — but I didn’t really get it. Frankly, the only reason I even knew about the story was because I read a review on the performance prior to seeing it. I say skip the idea of a story altogether, and just focus on the music, the energy from the crowd, the unbelievable talent from the performers. Enjoy the playfulness they all exhibit, the romance that Will and Héloïse share, the camaraderie that brothers Francisco and Raphael share, the protectiveness that Brad shows during dangerous acts… These five performers will stun and delight you, if you let them.

“Traces” runs through November 16th, in Spirit Square. If anyone wants a friend to sit with, let me know — I’d go a dozen more times if I could.

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4 Responses to Traces

  1. […] for dessert?  We walked across the street and saw Traces again.  It was such a different experience the second time around — knowing how much Sal and […]

  2. […] when it toured through Charlotte in October of 2008. I saw it several times, and could not stop raving about it. It seems the rest of the world has started to take notice of the show […]

  3. […] I saw the group perform last week, and it was just as riveting as I remembered. Now, this is a pretty high bar to set… I’ve seen “Traces” perform quite a few times now, and so there’s not necessarily a lot of wonder or surprise left in it for me. In the entire ninety minute production, there was only one act that I hadn’t seen before, thanks to the addition of performer Xia Zhengqi. The rest of the show was just what I had seen and adored nearly a dozen times in Charlotte back in 1998. […]

  4. […] readers and friends likely know of my obsession with the show Traces, which I first fell in love with in the Fall of 2008 when it toured through Charlotte. Since then, […]

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